Taruskin argues that the concept of historic authenticity in the performance of early music developed concurrently with modernism and shares its values. What are these modern constructs that we might be projecting backward? Here are two of the characteristics of modernism in the performance of classical music as put forth by Taruskin in his book Text and Act : . The publication of durchgesehene kritische Gesamtausgaben revised critical complete editions in the second half of the nineteenth century sowed the seeds of a tendency which has achieved its full flowering in the second half of the twentieth century. The impersonalism of Early Music has resulted in performances of unprecedented formal clarity and precision.
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Chaconne from Partita for Violin No.
Bach, Busoni, Segovia, and the Chaconne
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Bach, Segovia, and the Rise of Classical Guitar on the Concert Stage
It is a part of his compositional cycle called Sonatas and Partitas for Solo Violin. The partita contains five movements , given in Italian as:. Except for the ciaccona, the movements are dance types of the time, and they are frequently listed by their French names: Allemande , Courante , Sarabande , Gigue , and Chaconne. The final movement is written in the form of variations, and lasts approximately as long as the first four movements combined. Performance time of the whole partita varies between 26 and 32 minutes, depending on the approach and style of the performer. Professor Helga Thoene suggests that this partita, and especially its last movement, was a tombeau written in memory of Bach's first wife, Maria Barbara Bach who died in ,  though this theory is controversial. Yehudi Menuhin called the Chaconne "the greatest structure for solo violin that exists".
Partita for Violin No. 2 (Bach)