Hou Hsiao-hsien: A new video lecture! How Motion Pictures Became the Movies. Constructive editing in Pickpocket : A video essay. Lessons with Bazin: Six Paths to a Poetics. Murder Culture: Adventures in s Suspense. Mad Detective : Doubling Down.
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Poetics Of Cinema
In film studies , historical poetics is a scholarly approach to studying film , which David Bordwell outlined in his book Making Meaning Bordwell argues that theory-driven, interpretative approaches should be eschewed and argued that historical poetics was a better approach to studying film. Bordwell's research into the stylistic changes in Hollywood cinema demonstrates four specific changes: the use of more rapid editing, an increasingly frequent use of very long or very short lenses, a more prevalent use of close shots, and more camera movement. Historical poetics and neoformalism  are part of the "post-theory" trend in film studies. Bordwell has repeatedly argued that some approaches — ones based in "Grand Theories" — do not study films per se but instead use films to confirm predetermined theoretical frameworks. From Wikipedia, the free encyclopedia. Malden, MA: Blackwell Publishing, p.
Hou Hsiao-hsien: A new video lecture! How Motion Pictures Became the Movies. Constructive editing in Pickpocket : A video essay. Lessons with Bazin: Six Paths to a Poetics. Murder Culture: Adventures in s Suspense.
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Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes. With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema. Poetics of Cinema. I Questions of Theory. II Studies in Narrative.